I don't measure my work by how many pieces I sell — I measure it by whether the time I put into it was worth spending.​

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Everything I make is solid wood, built to be used for decades, not admired from a distance. I don't think of myself as an artist. An artist makes a statement with an object. I want mine to be lived with — worn, scratched, sat on, leaned against — until the marks of that life become part of what makes each piece unique.

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I believe handmade things carry something that mass production can't replicate, and that once an object like this enters a home, it quietly shapes how people live in that space, day after day.

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This year I built my own house — from the frame to the drywall to the flooring, mostly with my own hands. It confirmed something I already suspected: that making things people can actually shelter in, work in, sit in — at whatever scale — is where I want to keep putting my energy. Not because it's profitable, but because it's useful.

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I'm taking on new commissions again. If that sounds like the kind of furniture — or space — you want in your life, let's talk.